“In addition to our household cat, I had numerous pets – frogs, lizards, rats, turtles, fish, a rabbit and a family of adorable ducks. My childhood was replete with books about animals, animal toys and images of cute and cuddly animals… There I was, like most children, growing up believing I loved animals yet I was consuming animals daily. Whilst my love of animals was fostered, my taste for animal products was simultaneously cultivated.”
New Zealand-born prizewinning vegan artist Claude Jones describes her childhood – conditioned like every typical child into sustaining two completely contradictory ideas about animals at the same time in one brain. What we now, of course, call cognitive dissonance.
“My work seeks to expose such obvious contradictions in the face of widespread, culturally ingrained acceptance of this schism.”
Her work which appears quite simple, has a lot going on under the surface. She employs a deceptively innocent fairytale style, delicately drawn and in soft colours, as if for kids’ storybooks. The animals she depicts are anthropomorphised just as they so often are in children’s books. But our minds struggle to make sense of what our eyes are telling us – the shocking incongruity of the actions they are engaged in. Rabbits, universally viewed as timid and gentle, are seen wielding knives against other animals. A dog is bullfighting, or acting as circus ringmaster to a performing elephant, or experimenting on a hapless rabbit. Any given animal can appear as either perpetrator or victim. And yet all of them portraying ‘normal’ human activities that are not only legal but culturally acceptable, and accepted.
But let Claude continue her story: “For some time [as a child] I could only assume that we ate animals when they had died of old age. … we attempt to compensate for the murder of our fellow sentient beings in bucolic images in stories and animated films of happy, healthy farm animals grazing and sunbathing in lush fields, joyously bounding about, scratching, sniffing the earth, cuddling their human companions, and so on. I soon came to understand the brutal truth and simply could not reconcile my love of animals with harming them, let alone killing them. With plenty of other food options to choose from, at age 16, I decided to become a vegetarian.”
“Much later, in 2010, I finally made the connection between all animal products and animal suffering and decided it was time to shift from vegetarianism to veganism.”
“I find myself simultaneously fascinated and frustrated by our contradictory treatment of animals. Our human-centric perspective of the animal world positions rabbits, for example, as both cuddly companion animals but also as, laboratory specimens, meat and fur “products”. We support an industry that raises millions of pets that are accepted members of families yet trap, cage, torture and kill billions of animals annually for food, fur, leather. My work seeks to expose such obvious contradictions in the face of widespread, culturally ingrained acceptance of this schism.”
Much of Claude’s work reveals her concern about modern science’s meddling with nonhumans. In an earlier post I wrote about the science of gene-editing, CRISPR. Using CRISPR (clustered regularly interspaced short palindromic repeats) humans can now edit the genes of both animals and plants to ‘custom-build’ them in any way considered desirable and/or profitable. So already you can for example, if you have the money, order yourself a designer dog with black and yellow stripes – or brown with red spots – yes really. Maybe the creature Claude depicts here isn’t so very fanciful.
Take a look at some of the other bizarre creatures of Claude’s imagination in her Gallery collection, ‘Hybrid”. At one and the same time amusing and nightmarish, I think you’ll agree. But too close to present day scientific reality for comfort.
Fantastical hybrids appear in many world mythologies. The ancient Greeks, for instance, told of the dread Chimaera, a flame-belching monster made of body parts from three different animals. Nowadays the all-too-real ‘chimaeras’ don’t breath fire, but are every bit as monstrous – gene-edited pigs made to grow up with human hearts, ‘harvested’ at the right time to remedy the shortage of human-donated organs for human transplants.
“Jones questions the domination of humankind over all animal life, and our assumed right to meddle with the natural order of other species.”
– Simon Gregg, Art Curator
For me Claude’s powerful art epitomises the saying that a picture is worth a thousand words. It speaks volumes about Man’s rationally untenable, schizoid relationship with his fellow creatures.
Visit Claude’s website to learn more, and browse through her gallery of disturbing and thought-provoking pictures. There’s a good chance you will feel the need to fix a conflicted mind (and soul, and life), the inevitable result of attempting the impossible: making sense of schizoid presumptions about our fellow animals that are, unhappily, conventional wisdom today.
If that resonates with you, you could do much worse than trying vegan. It’s not hard and the rewards are great. As great as bringing your life into sweeter harmony with Life. I guarantee it.