‘Devil Ray Ballet’ (Photo: Duncan Murrell/Ocean Art)
Duncan Murrell’s photograph of three giant devil rays took home Best in Show. Murrell captured the photograph of “spinetail devil rays, (Mobula japanica) engaged in rarely observed or photographed courtship behaviour with two males pursuing one female.” The shot was taken in Honda Bay on the Province of Palawan in the Philippines.
Encounter with humpback whale (Photo François Baelen)
“This unique encounter happened in September 2018 in Reunion Island (Western Indian Ocean) where the humpback whales come here to breed and give birth. The mother was resting 15 meters down, while her calf was enjoying his new human friends.
“Trust : this is what came to my mind, when this close to 30 ton-animal, still hunted today by mankind, allowed me to freedive behind her and take that shot.
“From down there, everything seemed unreal: that huge tail centimeters away from me, the calf, my friend free diving symmetrically. I knew I would not get a shot like this one again.” — François Baelen
Enope squid (Photo: Jeff Milisen/Ocean Art)
“At around 3 inches in length, it was easily the largest and prettiest sharp-eared enope squid I recall finding.
“Soon the animal fled down, so I followed. We descended past forty feet, fifty feet, sixty feet while I continued watching, studying, and shooting. At eighty feet the kraken’s dancing and squirming still entranced me. Finally, at ninety feet deep, it was time to leave my new little friend at peace.” — Jeff Milisen
‘Inside the Eggs’ (Photo: Flavio Vailati/Ocean Art)
“During a dive in Anilao, Philippines I found this nudibranch and I waited for the best time to make this shot.” — Flavio Vailati
‘So Hairy Flames’ (Photo: Edison So/Ocean Art)
“Hairy shrimp have always been one of my favourite subjects, due to the variety of colors and types of similar species of shrimps. Shooting a hairy shrimp is also a challenging task due to its tiny size and nature. They like to hop from one place to another while photographers try to photograph it. Great patience is needed to wait for the perfect moment to press the shutter, the environment, the background, the composition, and of course, the focus on the subject.” — Edison So
Giant manta (Photo: Alvin Cheung/Ocean Art)
“Another diver, Marissa, was a few meters away from me and behind her was the landmark pinnacle of El Boiler. Visibility was crystal. I thought Marissa, together with the structure of the pinnacle, might be able to create an interesting background showing both the location of the dive site and the scale of the giant manta. With luck, the manta approached Marissa for an investigation. Hence this photo.” — Alvin Cheung
Pod (Photo: Eugene Kitsios/Ocean Art)
“Before you enter the water with a pod of dolphins, you never know what the interaction will be like. Sometimes you may have a great encounter, where the dolphins will curiously swim around you or show you some kind of playful behaviour. Other times they may leave you without interest. The best way to interact with them is to let them decide. Times where you are accepted by the pod are truly a magical experience. These intelligent creatures display so much interesting behaviour and in this case they playfully and curiously swimmed by me.” — Eugene Kitsios
‘3 Baby Seahorses’ (Photo: Steven Walsh/Ocean Art)
“I started diving in March 2017. I instantly fell in love with the underwater world and I started taking a camera on dives in December 2017. I had no photography experience above or below water (smart phone aside), but the many challenges and creative opportunities involved make the steep learning curve enjoyable.
“Each spring a unique event occurs at Blairgowrie Pier, in Victoria, Australia. In the cool 15°C water, Big-belly seahorse fry appear in large numbers. They cling to loose sea grass and weeds near the water’s surface, where they hunt in the shelter of the pier. This particular photo is the outcome of 4 hours of diving between night shifts as a firefighter.” – Steven Walsh
‘My Babies’ (Photo: Fabrice Dudenhofer/Ocean Art)
“I have been fortunate enough to have a Japanese guide who showed me a couple of clownfishes with their baby eggs. I never had the chance to shoot this type of interaction before so it was a big challenge for me. The adults swam endlessly around the eggs in order to oxygen them. Because of their endless movements it was difficult to get the perfect moment. To achieve the perfect shot I needed patience and a big part of luck. The guide and I stayed more than half an hour and I took more than 50 photos. I really wanted to show how some parent fishes cared for their babies. In this regard these clown fishes are not so different from us.” — Fabrice Dudenhofer
‘Cannibal Crab’ (Photo: PT Hirschfield/Ocean Art)
“Each year I eagerly await the return of the spider crabs en masse as they gather to shed their old shells, presumably finding ‘safety in numbers’ from predators such as stingrays, angel sharks and octopuses as they all moult in close proximity together. In reality, the most fierce predator of spider crabs is other spider crabs. I have occasionally seen them ‘on the march’ prior to settling to moult the old brown shells they have outgrown, snacking on another crab’s leg as they wander with thousands of others in massive circles around and beneath the pier. Once the crabs have moulted, they become extremely vulnerable as it takes approximately three days for their new, orange shell to harden. Often they climb the pylons of the pier, hoping the height will keep them out of predators’ reach. Some survive the ordeal of the moult only to become an instant soft-shelled meal for another hungry animal. I stumbled across this harrowing sight which I both filmed and photographed a ravenous unmoulted spider crab, fiercely feasting upon a freshly moulted crab. It dug its claws deeply into its victim’s back, pinning it down before transferring the fresh threads of still living crab meat into its merciless mouth. Between bites, the Cannibal Crab and its hapless victim stared back into my lens — one seeming defiant but justified by its need to feed, the other in all the resigned pathos of the final miserable moments of its life. The survival rate of crabs after they moult is quite low as the hundreds of thousands who have gathered steadily reduce to those lucky hundreds who will live long enough for their shells to harden before heading back out into the depths of the bay before the cycle continues the following year.” — PT Hirschfield
“This is my first time to meet jellyfish in Taiwan NorthEast Coast for shore dive! When I did night dive in 2018 summer time, I saw this beautiful jellyfish dancing in the dark! I followed her for a while and took many shots when she transformed into different shape. Suddenly, my diving buddy who is also my husband, Stan Chen, was so creative and used his torch to make the backlight for this unique jellyfish. In order to make good shots, we followed her over 1 mile and against the current. When we finished the dive, it’s already sunrise time at 5:30 am but we made it! We got the beautiful pose for the dancing jellyfish with an unique spotlight!” — Melody Chuang
‘Disco Nudi’ (Photo: Bruno Van Saen/Ocean Art)
“I was trying to create an image right out of the camera using special own-made backgrounds. But at the end, it was the photoshop filter ‘swirl’ which helped me a lot to end up with this creative image.” — Bruno Van Saen
‘Hairy Shrimp’ (Photo: Sejung Jang/Ocean Art)
“Before this trip, hairy shrimp were on my wish list. Fortunately my dive guide found it for me and my friends. It was my first time to see red hairy shrimp. It’s not easy to take photos of it, because it jumps a lot. After this photo, my camera didn’t work at all. I’m so lucky at least this nice shot came out of it!!!” — Sejung Jang
‘Chimaera’ (Photo: Claudio Zori/Ocean Art)
“The spotted rat fish, a resident of the northeastern part of the Pacific Ocean, usually lives between 50 and 400 meters and prefers temperatures no higher than 9 degrees. However, it tends to approach in shallow water during the spring and fall. While swimming, it can perform rotations and twists as if it were flying. The photo was taken in a night dive in front of God’s Pocket dive resort.” — Claudio Zori
‘Mangrove’ (Photo: Yen-Yi Lee/Ocean Art)
“A beautiful soft coral anchors and grows on mangrove roots. Two remote strobes were used to highlight the details of mangrove roots in the background, which also provided water surface reflection.” — Yen-Yi Lee
‘Grey Seal Face’ (Photo: Greg Lecoeur/Ocean Art)
Can’t you just feel the photographers’ excitement at managing to capture these awesome images! These are a reminder of what we look to lose if we don’t act in time to save them.
If you haven’t already, take Conservation International’s pledge to be a #VoiceForThePlanet #NewDealForNature
Wow, these images are beyond stunning, aren’t they? How lucky are we to have these super-talented photographers capture for us the kind of close encounters most of us would never have the good fortune to witness in person – breathtaking, touching, awe-inspiring, and tragic. What a wondrous place is the Planet Earth we share.
Curious Encounter (Photo: Cristobal Serrano/Wildlife Photographer of the Year)
“Any close encounter with an animal in the vast wilderness of Antarctica happens by chance, so Cristobal was thrilled by this spontaneous meeting with a crabeater seal off of Cuverville Island, Antarctic Peninsula. These curious creatures are protected and, with few predators, thrive,” Serrano wrote in his submission for his photo seen above.
This year, the Wildlife Photographer of the Year competition held by the Natural History Museum in London selected a group of images for its annual LUMIX People’s Choice Award. More than 45,000 entries were submitted from professional and amateur photographers from 95 countries, and the selections have been narrowed down to 25 entries.
“The images showcase wildlife photography as an art form, whilst challenging us to consider our place in the natural world, and our responsibility to protect”
the museum’s organisers wrote in a press release.
Last year’s People’s Choice Award winner captured a particularly poignant and compelling moment when a female lowland gorilla lovingly embraced a man who had rescued her from poachers who wanted to sell her for bushmeat.
In its 54th year, the Wildlife Photographer of the Year is the oldest competition of its kind. “Inspiring audiences to connect with the natural world is at the heart of what we do as a Museum, and that’s why we’re so proud to run this competition. The LUMIX People’s Choice Award is special to us because it gives the public the chance to choose the winner, and I’m looking forward to seeing which of these beautiful photographs emerges as the favourite,” wrote Ian Owens, director of science at the Natural History Museum and member of the judging panel.
To help you choose your favourite, we present all 25 entries, with information about how each photographer captured the image.
Family Portrait (Photo: Connor Stefanison,/Wildlife Photographer of the Year)
“A great grey owl and her chicks sit in their nest in the broken top of a Douglas fir tree in Kamloops, Canada. They looked towards Connor only twice as he watched them during the nesting season from a tree hide 50 feet (15 meters) up.” — Connor Stefanison, Canada
Bond of Brothers (Photo: David Lloyd/Wildlife Photographer of the Year)
“These two adult males, probably brothers, greeted and rubbed faces for 30 seconds before settling down. Most people never have the opportunity to witness such animal sentience, and David was honored to have experienced and captured such a moment.” — David Lloyd, New Zealand/United Kingdom
Painted Waterfall (Photo: Eduardo Blanco Mendizabal/Wildlife Photographer of the Year)
“When the sun beams through a hole in the rock at the foot of the La Foradada waterfall, Catalonia, Spain, it creates a beautiful pool of light. The rays appear to paint the spray of the waterfall and create a truly magical picture.” — Eduardo Blanco Mendizabal, Spain
Under the Snow (Photo: Audren Morel/Wildlife Photographer of the Year)
“Unafraid of the snowy blizzard, this squirrel came to visit Audren as he was taking photographs of birds in the small Jura village of Les Fourgs, France. Impressed by the squirrel’s endurance, he made it the subject of the shoot.” — Audren Morel, France
One Toy, Three Dogs (Photo: Bence Mate/Wildlife Photographer of the Year)
“While adult African wild dogs are merciless killers, their pups are extremely cute and play all day long. Bence photographed these brothers in Mkuze, South Africa – they all wanted to play with the leg of an impala and were trying to drag it in three different directions!” — Bence Mate, Hungary
Sound Asleep (Photo: Tony Wu/Wildlife Photographer of the Year)
“This adult humpback whale balanced in mid-water, headon and sound asleep was photographed in Vava’u, Kingdom of Tonga. The faint stream of bubbles, visible at the top, is coming from the whale’s two blowholes and was, in this instance, indicative of an extremely relaxed state.” — Tony Wu, United States
Three Kings (Photo: Wim Van Den Heever/Wildlife Photographer of the Year)
“Wim came across these king penguins on a beach in the Falkland Islands just as the sun was rising. They were caught up in a fascinating mating behaviour – the two males were constantly moving around the female using their flippers to fend the other off.” — Wim Van Den Heever, South Africa
Teenager (Photo: Franco Banfi/Wildlife Photographer of the Year)
“Franco was free diving off Dominica in the Caribbean Sea when he witnessed this young male sperm whale trying to copulate with a female. Unfortunately for him her calf was always in the way and the frisky male had to continually chase off the troublesome calf.” — Franco Banfi, Switzerland
Red, Silver and Black (Photo: Tin Man Lee/Wildlife Photographer of the Year)
“Tin was fortunate enough to be told about a fox den in Washington State, North America, which was home to a family of red, black and silver foxes. After days of waiting for good weather he was finally rewarded with this touching moment.” — Tin Man Lee, United States
The Extraction (Photo: Konstantin Shatenev/Wildlife Photographer of the Year)
“Every winter, hundreds of Steller’s sea eagles migrate from Russia, to the relatively ice-free northeastern coast of Hokkaido, Japan. They hunt for fish among the ices floes and also scavenge, following the fishing boats to feed on any discards. Konstantin took his
Otherwordly (Photo: Franco Banfi/Wildlife Photographer of the Year)
“A school of Munk’s devil ray were feeding on plankton at night off the coast of Isla Espíritu Santo in Baja California, Mexico. Franco used the underwater lights from his boat and a long exposure to create this otherworldly image.” — Franco Banfi, Switzerland
The Orphaned Beaver (Photo: Suzi Eszterhas/Wildlife Photographer of the Year)
“A one-month-old orphaned North American beaver kit is held by a caretaker at the Sarvey Wildlife Care Center in Arlington, Washington. Luckily it was paired with a female beaver who took on the role of mother and they were later released into the wild.” — Suzi Eszterhas, United States
The Bat’s Wake (Photo: Antonio Leiva Sanchez/Wildlife Photographer of the Year)
“After several months of field research into a little colony of greater mouse-eared bats in Sucs, Lleida, Spain, Antonio managed to capture this bat mid-flight. He used a technique of high speed photography with flashes combined with continuous light to create the ‘wake’.” — Antonio Leiva Sanchez, Spain
Unique Bill (Photo: Rob Blanken/Wildlife Photographer of the Year)
“The pied avocet has a unique and delicate bill, which it sweeps like a scythe, as it sifts for food in shallow brackish water. This stunning portrait was taken from a hide in the northern province of Friesland in The Netherlands.” — Rob Blanken, The Netherlands
Gliding (Photo: Christian Viz/Wildlife Photographer of the Year)
“With conditions of perfect visibility and beautiful sunlight, Christian took this portrait of a nurse shark gliding through the ocean off the coast of Bimini in the Bahamas. Typically these sharks are found near sandy bottoms where they rest, so it’s rare to see them swimming.” — Christian Vizl, Mexico
A Polar Bear’s Struggle (Photo: Justin Hofman/Wildlife Photographer of the Year)
“Justin’s whole body pained as he watched this starving polar bear at an abandoned hunter’s camp, in the Canadian Arctic, slowly heave itself up to standing. With little, and thinning, ice to move around on, the bear is unable to search for food.” — Justin Hofman, United States
Shy (Photo: Pedro Carrillo/Wildlife Photographer of the Year)
“The mesmerizing pattern of a beaded sand anemone beautifully frames a juvenile Clarkii clownfish in Lembeh strait, Sulawesi, Indonesia. Known as a ‘nursery’ anemone, it is often a temporary home for young clownfish until they find a more suitable host anemone for adulthood.” — Pedro Carrillo
Fox Meets Fox (Photo: Matthew Maran/Wildlife Photographer of the Year)
“Matthew has been photographing foxes close to his home in north London for over a year and ever since spotting this street art had dreamt of capturing this image. After countless hours and many failed attempts, his persistence paid off.” — Matthew Maran, United Kingdom
Resting Mountain Gorilla (Photo: David Lloyd/Wildlife Photographer of the Year)
“The baby gorilla clung to its mother whilst keeping a curious eye on David. He had been trekking in South Bwindi, Uganda, when he came across the whole family. [As he was] following them, they then stopped in a small clearing to relax and groom each other.” — David Lloyd, New Zealand/United Kingdom
Clam Close-up (Photo: David Barrio/Wildlife Photographer of the Year)
“This macro-shot of an iridescent clam was taken in the Southern Red Sea, Marsa Alam, Egypt. These clams spend their lives embedded amongst stony corals, where they nest and grow. It took David some time to approach the clam, fearing it would sense his movements and snap shut!” — David Barrio, Spain
Isolated (Photo: Anna Henly/Wildlife Photographer of the Year)
“Snapped from a helicopter, this isolated tree stands in a cultivated field on the edge of a tropical forest on Kauai, Hawaii. The manmade straight lines of the ploughed furrows are interrupted beautifully by nature’s more unruly wild pattern of tree branches.” — Anna Henly, United Kingdom
All That Remains (Photo: Phil Jones/Wildlife Photographer of the Year)
“A male orca had beached itself about a week before Phil’s visit to Sea Lion Island, Falkland Islands. Despite its huge size the shifting sands had almost covered the whole carcass and scavengers, such as this striated caracara, had started to move in.” — Phil Jones, United Kingdom
Ambush (Photo: Federico Veronesi/Wildlife Photographer of the Year)
“On a hot morning at the Chitake Springs, in Mana Pools National Park, Zimbabwe, Federico watched as an old lioness descended from the top of the riverbank. She’d been lying in wait to ambush any passing animals visiting a nearby waterhole further along the riverbed.” – Federico Veronesi, Kenya
Ice and Water (Photo: Audun Lie Dahl/Wildlife Photographer of the Year)
“The Bråsvellbreen glacier moves southwards from one of the ice caps covering the Svalbard Archipelago, Norway. Where it meets the sea, the glacier wall is so high that only the waterfalls are visible, so Audun used a drone to capture this unique perspective.” — Audun Lie Dahl, Norway
These are the 25 images from the Natural History Museum of London contest showcasing animals and landscapes in the running for the People’s Choice Award. To cast your vote, click here, and then on an individual image, and follow the prompts there. Voting is open until Feb. 5, and all images are currently on display at the Natural History Museum of London.
Update 14th February 2019 The winner of the People’s Choice Award is David Lloyd with his ‘Bond of Brothers’, the lions. (Coincidentally, the one I voted for!)
And clink on this link for the heart-melting pic that was People’s Choice last year:
Cover photo: Overall winner Mary McGowan ‘Caught in the Act’ (Photo: Mary McGowan/Comedy Wildlife Photography Awards) Mary also won the Affinity Photo People’s Choice Award and Alex Walker’s Serian Creatures of the Land Award.
What can I say – enjoy!
‘While these images are downright humorous, the competition highlights the serious issue of conservation and partners with Born Free Foundation, a wildlife charity that works to help wild animals living in captivity.
‘The Comedy Wildlife Photography Awards encourages its followers to follow their mantra. “We want you to take up our banner of wildlife conservation, bang the drum, beat the cymbal and make some noise, we need to spread the word – wildlife, as we know it, is in danger, all over the world and we need to do something to help save it.”‘ – from MNN
Like many of us, German artist Felix Jaensch began building with Lego when he was just a tot – in his case three years old. Unlike him, at some point most of us stopped. But he never did. Now 30, and with 27 solid years of practice with those finickety little blocks behind him, he’s surely earned the title of Lego Master Extraordinaire.
For the last 5 years his focus has been the animal kingdom. He tells us, “I was always fascinated by nature and biodiversity and I like to build organic forms with these angular bricks.”
If you wanted to create art, you would think hard, unyielding Lego in all its angular and geometric shapes is an unpromising material. But Felix sees it as “a great medium for 3-D art”, and his work speaks for itself. To capture the essence of the living creature using nothing but plastic Lego bricks as he has done, seems to me an impossibly difficult achievement little short of magic.
This may be my personal favourite.
Or is it this one? This pooch is so alive, I practically expect to hear her bark. See which of these awesome sculptures grabs you most.
(By the way, if you’re imagining it must take an age to build one of these, you would be right. “Small animals may be finished in just some hours, big projects can take months. But I never counted the hours or bricks which I spend on one sculpture. I often modify some details even months after I finished an animal”, says Felix.)
So, what could possibly be the sting in the tail of Felix’s amazing body of work?
Whatever merits Lego has, and it undoubtedly has many, it is still plastic – a dirty word in 2018.
I haven’t been able to discover Felix’s thoughts on the disastrous effect plastic is having in the world, but the Lego company itself does have thoughts. Earlier this year, the huge corporation, producer of plastic, more plastic, and nothing but plastic, sought to mitigate any criticism it might attract for having a business model intrinsically inimical to the environment, by announcing that it planned to make its tiny green Lego trees and plants out of real plants! Sugar cane to be precise, in place of the oil from which plastic is most often made. Good news? Or just cynically jumping on the environmental bandwagon, ‘green-washing’, nothing more than a bit of opportunistic window dressing? These are the facts:
All plastic is made from ethanol, whether extracted from oil or plants. The new Lego parts will be indistinguishable from the other bricks – that’s because they are identical
Lego trees and plants make up only a tiny tiny fraction of Lego’s output, and the rest of the bricks remain firmly oil-based
It’s true that Brazilian sugar cane has a somewhat smaller carbon footprint than oil, but in reality it is only by the slightest of margins more sustainable. Farming it on a large scale wipes out precious habitat (think Amazonian rainforest), uses up valuable resources, pollutes with herbicides and pesticides, and displaces local farmers
Either way, plant-based plastic is no more biodegradable than plastic from oil, and when broken down in small pieces will pollute the environment like any other plastic
Looking on the brighter side, Lego is, as we all know, kid-proof and virtually indestructible. When one child has outgrown it – unlike Felix who looks like he never will, and more power to him – those bricks can be passed on to others, used and re-used. Lego plastic is decidedly not – Collin’s Dictionary Word of the Year – ‘single-use’.
Meanwhile, let’s not go away thinking Felix excludes the human animal from his magnificent menagerie. Below: what is said to be an anatomically-correct human skull in Lego.
But whereas all Felix’s other animals are so intensely bright and alert they almost seem to have the breath of life in them, we humans are represented by a death’s head. Make of that what you will!
If you haven’t seen your favourite animal here, check out Felix’s Flickr account.
All designs, photos and video copyrighted to Felix Jaensch
Some of his creations can be purchased from Mochub
“Scientist and photographer Igor Siwanowicz has made a name for himself previously documenting the phenomenal range of shapes, colors, and structures of creatures in the natural world. His many images of unique caterpillars include wild variations like feathery blue spikes, curling burnt-orange horns, and long black whiskers. Siwanowicz also works as a neurobiologist at the Howard Hughes Medical Institute’s Janelia Farm Research Campus in Virginia. He shares more than ten years of his photography on photo.net.”
And if you think those are spectacular, you will be awestruck by the incredible wonder of life on Earth as seen under Igor’s laser-scanning microscope
“Even though the science is out there, until we feel it in our hearts and minds we are not moved to take action.” PhotographerTim Flach
Tim’s aim in his new book ‘Endangered’ is to demolish the barrier of ‘otherness’ that prevents us seeing the fellow creatures we are in danger of losing forever, as the persons they really are.
With the wildlife crisis we find ourselves in today – with 30%, or even as many as 50% of all species heading towards extinction by the end of the century¹ – “there is an increasing acceptance that highlighting the emotional connection between humans and animals can help reverse this destructive trend.” The Telegraph
And that is exactly what this remarkable photographer does with superlative skill – he shows us the person behind the species label – not just a pangolin but this particular unique pangolin person. And look – she, like us, has a mother.
“Now here we are in this mechanistic world where for most of us our only contact is with a dog, or a cat, and we are more likely to encounter a chicken in the supermarket than one with its feathers on. How do we engage with animals? We have somehow been separated. We know animals in a virtual sense better than ever before through the films of David Attenborough and such. Yet in actuality, we have never been more separated.”
We are in danger of losing everyone of these beings with whom we share the planet. If Tim’s portraits don’t bring the tragedy os such a loss home to us, nothing will.
We may never have the chance to encounter these amazing beings in the flesh, but the next best thing is Tim’s exhibition at London’s Osborne Samuel Gallery.
If you can’t make it to the exhibition, I urge you to check out the entire Endangered collection here. It will blow your mind.
Whatever you may think of PETA, this is a genius move IMHO. By honoring Naruto, the crested black macaque with a famously goofy grin, as “Person of the Year” the organisation is emphasising that “he is someone, not something”. And what a person he is! I only wish he were able to revel in this accolade – though as long as he is safe and happy…. Go Naruto!
“In ancient times cats were worshipped as gods. They have not forgotten this”
Calling all cat-worshippers! I have to ask: are you 100% satisfied in your own mind that the Pets-At-Home igloo bed you selected for your feline is up to scratch? Or did you go straight for the cat’s whiskers and lavish £50 on the deluxe Mr Snugs KatDen, only to find kitty curled up in the closet on your sweaters?
For a crashpad truly befitting your furry god or goddess, maybe, just maybe, you should have called upon the services of an ar-cat-ect. Yes, really. I’m serious. There is a wonderful organisation called Architects for Animals
which every October invites architects and designers to make, submit for display, and donate their creative catnap-eries at their annual “Giving Shelter” exhibition and auction. All proceeds go to animals in need. This year, Architects for Animals’ 10th, the recipient is FixNation, an L.A. charity that spays/neuters stray, abandoned, and feral cats. Isn’t that purrfect?
Take your pick from these fabulous puss palaces.
There’s no doubting who’s the star of that show!
Now, a quick flip of the coin, from the money-givers to the money-makers – from the compassionate donors to the fat cats of re-tail.
(Apologies for all the corny cat puns. But you’d better brace yourself for more to come – I can’t resist😄)
A certain business better known for its vegan meatballs and Scandi style has also been getting creative for cats. Available for purr-chase is the ‘Lurvig cat cube’, designed to mix and match with the human furnishings. Infinitely adaptable to cat-er for every possible puss preference.
Even so, I can imagine Felis Catus looking on with cool disdain as we wrestle with the flatpack – a disdain that despite our best efforts, may well extend to the finally completed cat-ready creation.
Oh well, it can always double up as a bedside cabinet.
So that takes care of the cat crashpads. Now how about the fur-niture?
“Cats are connoisseurs of comfort”
Recent pet industry consumer research shows –
80% of millennial companion-animal ‘parents’ regard their pets as family members. (What is wrong with the other 20%, one has to ask)
Americans spend more on cat food in a year than on baby food
And, music to the industry’s ears, 76% of millennial pet parents are willing to splurge on cool stuff for their pet before buying something for themselves.
Discovering just how much millennials are in thrall to their felines, the pet industry is naturally keen to create new product opportunities for the splurging. Would you splash out on these miniature marvels from Japan for your fur baby?
This is fur-niture for felines of the highest craftsmanship. Nothing but the best.
So, now that’s all the kitty comforts sewn up, what does Santa Claws plan on bringing this Christmas?
“Cats seem to go on the principle that it never does any harm to ask for what you want”
I’m sorry, but I have it on the best authority, the standard supermarket pet stocking is not going to cut it this year. Don’t you know, a cat needs some a-mews-ment? A chance to show off her cat-leticism? So how about one of these?
Catastrophic Creations make these ‘Indiana Jones Bridges’ to order. If you are cat-crazy enough to measure up your home for one, expect to get ambushed from on high, that’s all I can say.
From the pampered puss who has everything, back where we started – to the cat who has nothing. We too can help give a cat a home.
If you’d like to help feral cats near you, click here for simple instructions, using materials that would probably otherwise be thrown away, to make a cosy shelter. It may not be as zany or stylish as the ones above, but it will keep them snug from the winter cold and wet.
And/or sponsor a cat pod with the RSPCA. The charity took in 6,390 cats to its shelters last year. “With the current cat overpopulation crisis facing the UK and our centres housing hundreds of cats – more than the number of dogs and rabbits combined – [the cats] need our support more than ever.”
And if you are considering bringing a new companion animal into the family, don’t forget #AdoptDontShop!
For more stylish designs from Architects for Animals, take a look here