“Scientist and photographer Igor Siwanowicz has made a name for himself previously documenting the phenomenal range of shapes, colors, and structures of creatures in the natural world. His many images of unique caterpillars include wild variations like feathery blue spikes, curling burnt-orange horns, and long black whiskers. Siwanowicz also works as a neurobiologist at the Howard Hughes Medical Institute’s Janelia Farm Research Campus in Virginia. He shares more than ten years of his photography on photo.net.”
And if you think those are spectacular, you will be awestruck by the incredible wonder of life on Earth as seen under Igor’s laser-scanning microscope
“Even though the science is out there, until we feel it in our hearts and minds we are not moved to take action.” PhotographerTim Flach
Tim’s aim in his new book ‘Endangered’ is to demolish the barrier of ‘otherness’ that prevents us seeing the fellow creatures we are in danger of losing forever, as the persons they really are.
With the wildlife crisis we find ourselves in today – with 30%, or even as many as 50% of all species heading towards extinction by the end of the century¹ – “there is an increasing acceptance that highlighting the emotional connection between humans and animals can help reverse this destructive trend.” The Telegraph
And that is exactly what this remarkable photographer does with superlative skill – he shows us the person behind the species label – not just a pangolin but this particular unique pangolin person. And look – she, like us, has a mother.
“Now here we are in this mechanistic world where for most of us our only contact is with a dog, or a cat, and we are more likely to encounter a chicken in the supermarket than one with its feathers on. How do we engage with animals? We have somehow been separated. We know animals in a virtual sense better than ever before through the films of David Attenborough and such. Yet in actuality, we have never been more separated.”
We are in danger of losing everyone of these beings with whom we share the planet. If Tim’s portraits don’t bring the tragedy os such a loss home to us, nothing will.
We may never have the chance to encounter these amazing beings in the flesh, but the next best thing is Tim’s exhibition at London’s Osborne Samuel Gallery.
If you can’t make it to the exhibition, I urge you to check out the entire Endangered collection here. It will blow your mind.
Whatever you may think of PETA, this is a genius move IMHO. By honoring Naruto, the crested black macaque with a famously goofy grin, as “Person of the Year” the organisation is emphasising that “he is someone, not something”. And what a person he is! I only wish he were able to revel in this accolade – though as long as he is safe and happy…. Go Naruto!
“In ancient times cats were worshipped as gods. They have not forgotten this”
Calling all cat-worshippers! I have to ask: are you 100% satisfied in your own mind that the Pets-At-Home igloo bed you selected for your feline is up to scratch? Or did you go straight for the cat’s whiskers and lavish £50 on the deluxe Mr Snugs KatDen, only to find kitty curled up in the closet on your sweaters?
For a crashpad truly befitting your furry god or goddess, maybe, just maybe, you should have called upon the services of an ar-cat-ect. Yes, really. I’m serious. There is a wonderful organisation called Architects for Animals
which every October invites architects and designers to make, submit for display, and donate their creative catnap-eries at their annual “Giving Shelter” exhibition and auction. All proceeds go to animals in need. This year, Architects for Animals’ 10th, the recipient is FixNation, an L.A. charity that spays/neuters stray, abandoned, and feral cats. Isn’t that purrfect?
Take your pick from these fabulous puss palaces.
There’s no doubting who’s the star of that show!
Now, a quick flip of the coin, from the money-givers to the money-makers – from the compassionate donors to the fat cats of re-tail.
(Apologies for all the corny cat puns. But you’d better brace yourself for more to come – I can’t resist😄)
A certain business better known for its vegan meatballs and Scandi style has also been getting creative for cats. Available for purr-chase is the ‘Lurvig cat cube’, designed to mix and match with the human furnishings. Infinitely adaptable to cat-er for every possible puss preference.
Even so, I can imagine Felis Catus looking on with cool disdain as we wrestle with the flatpack – a disdain that despite our best efforts, may well extend to the finally completed cat-ready creation.
Oh well, it can always double up as a bedside cabinet.
So that takes care of the cat crashpads. Now how about the fur-niture?
“Cats are connoisseurs of comfort”
Recent pet industry consumer research shows –
80% of millennial companion-animal ‘parents’ regard their pets as family members. (What is wrong with the other 20%, one has to ask)
Americans spend more on cat food in a year than on baby food
And, music to the industry’s ears, 76% of millennial pet parents are willing to splurge on cool stuff for their pet before buying something for themselves.
Discovering just how much millennials are in thrall to their felines, the pet industry is naturally keen to create new product opportunities for the splurging. Would you splash out on these miniature marvels from Japan for your fur baby?
This is fur-niture for felines of the highest craftsmanship. Nothing but the best.
So, now that’s all the kitty comforts sewn up, what does Santa Claws plan on bringing this Christmas?
“Cats seem to go on the principle that it never does any harm to ask for what you want”
I’m sorry, but I have it on the best authority, the standard supermarket pet stocking is not going to cut it this year. Don’t you know, a cat needs some a-mews-ment? A chance to show off her cat-leticism? So how about one of these?
Catastrophic Creations make these ‘Indiana Jones Bridges’ to order. If you are cat-crazy enough to measure up your home for one, expect to get ambushed from on high, that’s all I can say.
From the pampered puss who has everything, back where we started – to the cat who has nothing. We too can help give a cat a home.
If you’d like to help feral cats near you, click here for simple instructions, using materials that would probably otherwise be thrown away, to make a cosy shelter. It may not be as zany or stylish as the ones above, but it will keep them snug from the winter cold and wet.
And/or sponsor a cat pod with the RSPCA. The charity took in 6,390 cats to its shelters last year. “With the current cat overpopulation crisis facing the UK and our centres housing hundreds of cats – more than the number of dogs and rabbits combined – [the cats] need our support more than ever.”
And if you are considering bringing a new companion animal into the family, don’t forget #AdoptDontShop!
For more stylish designs from Architects for Animals, take a look here
People for the Ethical Treatment of Animals has a brand new emoji app for animal champions everywhere. Senior Advocacy Strategist Michelle Feinberg invites us to download the peta2 sticker app available now from both the App Store and the iMessage-specific App Store. All the stickers are 100% vegan and cruelty-free!
To give you a flavour –
Let’s get downloading. This app is going to clock up some serious mileage! Fun with an important – themost important – message…
ANIMALS ARE NOT OURS
TO EAT, WEAR, EXPERIMENT ON, USE FOR ENTERTAINMENT, OR ABUSE IN ANY OTHER WAY
Brian Valente’s photo of a laughing seal is a finalist for the 2017 Comedy Wildlife Photo Awards. (Photo: Brian Valente/Comedy Wildlife Photo Awards 2017)
The 2017 Comedy Wildlife Photography Awards finalists have been announced, and this year’s crop doesn’t disappoint in the humor department with hilarious expressions, amusing antics and even a little fun with perspective.
While you may laugh out loud (or at least crack a grin), keep in mind the contest has a serious goal: highlighting wildlife conservation efforts.
‘Let Me Clear My Vision’ is one of 40 finalists in this year’s contest. (Photo: Arkaprava Ghosh /Comedy Wildlife Photo Awards 2017)
This year, more than 3,500 entries from 86 countries were submitted to the contest, which was started by photographers Paul Joynson-Hicks and Tom Sullam.
From 40 finalists, the category and overall winners will be announced Dec. 14. The overall winner gets a week-long, all-expense-paid, photographer-led safari in Kenya.
‘Hitching a ride’ is a 2017 finalist. (Photo: Daisy Gilardini/Comedy Wildlife Photo Awards 2017)
“Conservation was always at the heart of the competition, along with the fact that people seemed to enjoy images of animals doing entertaining things,” said Sullam in a statement. “But essentially living in a country that has some of the best wildlife in the world — Tanzania — and seeing how destructive human actions can be to this wildlife, made us want to do our little bit to help.”
A terrifyingly big grin in ‘Smile.’ (Photo: Eugene Kitsios/Comedy Wildlife Photo Awards 2017)
Joynson-Hicks and Sullam recently released a new book of some of the funniest photos (the “best of the best,” they say) to come through the Comedy Wildlife Photography Awards. Some of the proceeds go to the Born Free Foundation, a wildlife conservation charity.
Any mom will immediately understand why this photo is called ‘MOM MOM MOM MOM.’ (Photo: Barb D’Arpino/Comedy Wildlife Photo Awards 2017)
Take a look at more of our favorite finalists, including the fed-up mother owl above who has had it with her little ones.
‘Animal encounters’ is a 2017 finalist. (Photo: jean-Jacques Alcalay /Comedy Wildlife Photo Awards 2017)
He needed to get a better view — or maybe he really likes crowd-surfing.
‘WTF’ is a thing even in the animal kingdom. (Photo: George Cathcart/Comedy Wildlife Photo Awards 2017)
Redditors would have a field day with this elephant seal photo as a meme.
Fun with perspective in ‘Outsourcing seatbelt checks.’ (Photo: Graeme Guy/Comedy Wildlife Photo Awards 2017)
It looks like this giraffe is peering into the plane as it comes in for a landing. Maybe this airport employs wildlife as part of the security team.
All aboard the ‘Foster Monkey Escape’! (Photo: Katy Leveck/Comedy Wildlife Photo Awards 2017)
These two monkeys in Indonesia are making a getaway on a borrowed motorcycle.
What a cutie in ‘Cheering sea otter.’ (Photo: Penny Palmer/Comedy Wildlife Photo Awards 2017)
This sea otter is living his best life and loving it. We should all be so lucky.
How in heaven’s name did that wildebeest get up there – insane!
Animal rights and art have not always been easy bedfellows. Belgian artist Jan Fabre got into hot water for a performance in which he threw several cats up a flight of stairs, who let out pained meows in response. Damien Hirst, meanwhile, is famed for works featuring a formaldehyde-soaked shark, a pig’s head, and even a piece that required the killing of 9000 butterflies. The most recent example, however, was at Colorado’s Aspen Art Museum, where – as part of the show – turtles were made to amble around an art exhibit with iPads attached to their shells.
But there are also plenty of examples of animal rights being championed by the arts. Vivienne Westwood and Stella McCartney are well-known for their anti-fur and anti-leather stances, whereas Morrissey is outspokenly meat-free, once writing the memorable lyrics: “It’s not “natural”, “normal” or kind/ the flesh you so fancifully fry/ the meat in your mouth/ as you savour the flavour, of murder”. Then, of course, Rembrandt, one of the greatest painters of all time, was a pioneering vegetarian. Here, we look at some of the most compelling animal rights artivists.
Performance artist Jacqueline Traide, sickened by cosmetics testing on animals, wanted to convey the cruelty of it to the public by having the procedure done to herself. She was tortured for 10 hours in the performance, which was done in a vitrine in the Oxford Circus branch of Lush, as shocked pedestrians looked on. Amongst a number of activities, Traide had her mouth held open with a vice, was force-fed, had a strip of her hair shaved off, and was given two injections.
(Further info about the EU ban on animal testing for cosmetics here
Email your MP to support global fight against cruel cosmetics here)
Portuguese artist Zoe Birrell once made an art installation consisting of 420 dairy cows, each made from vegan fair-trade chocolate, and each equalling her body weight of 53kg. The life of a modern dairy cow is marked by the emotional stress of the loss of her baby calf, combined with the hormonal effect of being kept perpetually pregnant. It inspired Birrell to respond to these psychological and physiological issues, considering the ethical alternatives, as well as, how it related to her own femininity.
Jonathan Horowitz stopped eating meat at the age of 12, after his parents took him to a bullfight when on holiday in Mexico. The artist’s heavyweight Go Vegan! exhibition at a former New York meat-packing plant, LaFrieda Meats, aimed to normalise the idea of meat-free living. Horowitz compiled a portrait gallery of more than 200 celebrity vegetarians, as well as a video installation featuring Paul and Linda McCartney, arguing for veganism through the medium of modern living: commodity culture.
Banksy, the king of street art, made a return to the road with his puntastic project Sirens of the Lambs. Making appearances around the world, such as New York City and Glastonbury, the piece was a “moving sculpture”, in which a truck full of shrieking cuddly animals being taken to slaughter, drove around. The work is designed to highlight the issue of animals being farmed for their meat, but without the usual, depressing consequences.
Sue Coe grew up hearing the rattling of chains and screaming from the local abattoir at her home in Hersham, England. The normalisation of mass slaughter, which she also saw at abattoirs from Liverpool to Los Angeles, became the inspiration for her graphic paintings and drawings. These works are imbued with a mind-warping darkness and death, that the viewer can hardly ignore.
Artist and animal rights activists Alice Newstead once painted herself silver and suspended herself from hooks to protest the fishing of sharks, who are threatened with extinction (around 100 million sharks are caught in commercial and sports fishing every year. Piercing the skin of her shoulder blades, she was hung for 15 minutes, as blood streamed down her back.
Asher Jay uses her digital graphic skills innovatively to inform the world about animal abuse. In Africa, Jay made screensavers of a poached rhino horn dripping with blood. In China, she integrated elephant tusks into Chinese language characters to encourage a halt in ivory buying while her enormous images of elephants killed for their tusks were projected in New York’s Times Square. “I wanted to visualize the scale and brutality of the crisis and use art to tell the blood ivory story,” she says. “Each year, 35,000 elephants are slaughtered; that’s one every 15 minutes.”
Rocky Lewycky’s project Is It Necessary? addressed the problem of factory farming in a violent new way. The work was comprised of hundreds of ceramic animals – pigs, cows, turkeys, fish – neatly positioned together. Each day Lewycky would enter the gallery space, elect an animal, and brutally smash it to pieces, leaving the white sculptures to reveal their blood-red interiors.
New York artist Dan Witz came over to east London to create his project Empty The Cages. For it, he placed chicken claws and pigs heads in 30 different locations around the streets of Shoreditch, in order to subtly raise the issue of animal consumption, and its dire consequences. Witz explained: “Climate change, deforestation, wildlife extinction, water waste, air pollution and ocean dead zones (among other things) are all directly attributable to meat, dairy and egg production.”
(I urge you to check out what Dan has to say about some other work he did with PETA, and how it made him feel)
Different societies and cultures always tend to draw the line of what sort of animal is okay to eat differently. Elephants, dogs, and silk worms are all consumed in places around the globe. Sacramento-based multimedia artist Gale Hart tackled this issue with her project Why Not Eat Your Pet? It juxtaposed images of devastating animal cruelty with pets that have sinister, child-like innocence.
‘Cutting Sword’ – that’s what ‘Kiri Ken’ means in Japanese. And these exquisite masterpieces cut from paper are the work of artist Kiri Ken.
That may not sound like the best name for someone making artwork of this fineness and delicacy. But Japanese swords are revered as works of art themselves, each one individual, and of consummate precision, balance and beauty.
Kiri’s ‘sword’ though is miniature. She makes her matchless marvels with a scalpel.
Kiri Ken is keeping alive a long tradition of Japanese paper cut art (Kirie) dating right back to 610 AD when Buddhist monk Doncho brought Chinese ‘Tesuki Washi’ paper into the country for the first time.¹
“The method she uses includes drawing the image out by hand on the reverse side of the paper, before cutting it out. This intricate technique, which takes hours to complete, represents the artist’s fascination with wildlife.”
And that is the sum total of what I can find out about Kiri Ken. Maybe she wants to let her incomparable art speak for itself. Speak of “harmony, asymmetrical balance… impermanence and unity with the universe” – the fundaments of so much Japanese culture and art.²
Is it the level of artistry, technical ability and superhuman patience of the image makers, or the wonders of nature, perfection in feathers they’ve caught on camera – which is the more awe-inspiring? I can’t decide. Either way, these pics are stunners.